Máscara para la hora nona, 2020
Leather and wood
21 x 15,7 x 14,5 cm
The Studio (Stuff with guest star Francis Francine), 2017-2018
Charcoal and pencil conté on cardboard
65 x 48 cm
Peter Behrens for AEG (Stamps to print I), 2013
Madera
6.4 x 67 x 19.4 cm
Ponos, 2014-2015
Linden woods, sapely and plywood
30,5 x 22,5 x 3 cm
Eikon, 2015
Pinewood
31,4 x 21,4 x 1,8 cm
The Drawing Set (Charcoal box), 2018
Fir, linden, balsa and plywood woods, leather, vinyl, synthetic felt, Japanese paper, plastic paint and Chinese ink
95 x 26 x 12 cm
The Drawing Set (Wall Piece #2), 2018
Sapely woods, balsa, plywood, leather, fabric, erasers and metal
106 x 40 x 4,5 cm
Never Dance (Lots I), 2018-2019
Leather and quaruba wood
196 x 31 x 30 cm
Mosquero, 2019
Leather and bristles
29,5 x 20 x 5 cm
Atavíos para la hora prima, 2020
Felt, pine and quaruba woods
126 x 41 x 20 cm with floor stand
210 x 90 x 19 cm back hanging piece
Habitus_Jacket leather, 2020
Silk, synthetic felt, fabric, velcro, wood
103 x 44 x 29 cm
Habitus_Entrañas, 2020
Skin
60 x 40 x 9 cm
Born in Seville 1977, Spain.
Graduated in Fine Arts in the University of Seville, Spain.
Through initial training in painting, Pereñíguez delves into the technique with preferential attention to drawing and, currently, in sculpture. His work is based on a desire to approach cultural products from all times and places, which are reconstructed, reproduced, deformed, denied or celebrated by an incessant and reflective work in the workshop.
In addition to the individual and group exhibitions listed below, he has participated in the main national contemporary art fairs: ARCO, Arte Santander, Drawing Room, Estampa, Foro Sur ... as well as in international fairs such as Artissima Torino, Art Brussels, Untitled Miami and Pinta London.
