Contemporary Art Gallery Madrid
Amour, New Mexico, 1987
Gelatin silver print (Edition 3/3)
104 x 104 cm
40,94 x 40,94 inches
Siamese twins, New Mexico, 1988
Gelatin silver print (Edition 2/3)
108 x 107 cm
42,52 x 42,13 inches
Daphne & Apollo, Los Angeles, 1990
Gelatin silver print (Edition AP3)
75,5 x 77,5 cm
29,72 x 30,51 inches
Cupid and Centaur in the Museum of Love, 1992
Gelatin silver print (Edition 6/12)
107 x 91 cm
42,13 x 35,83 inches
Still Life Mexico, Mexico City, 1992
Gelatin silver print (Edition 9/12)
74,5 x 74 cm
29,33 x 29,13 inches
Waiting for de Chirico in the artists' section of purgatory, New Mexico, 1994
Gelatin silver print (Edition 15/20)
111 x 105 cm
43,7 x 41,34 inches
Still Life with Breast, 2001
Gelatin silver print (Edition 27/30)
40 x 50 cm
15,75 x 19,69 inches
What is poetry when we are so little, 2002
Gelatin silver print (Edition 2/12)
109 x 100 cm
42,91 x 39,37 inches
Eve knighting Daguerre, 2003
Gelatin silver print (Edition 3/12)
84 x 98 cm
33,07 x 38,58 inches
The Raft of George W. Bush, New Mexico, 2006
Gelatin silver print (Edition AP1)
61 x 75,5 cm
24,02 x 29,72 inches
Venus in Chains, 2010
Gelatin silver print (Edition 3/12)
125 x 95 cm
49,21 x 37,4 inches
Religion of Self Interest, New Mexico, 2013
Gelatin silver print (Edition 2/6)
75,5 x 62 cm
29,72 x 24,41 inches
1939, Brooklyn, New York, USA.
Lives and works in Albuquerque, New Mexico, USA.
Joel-Peter Witkin is one of the leading photographers of our time, famous for his provocative and controversial works exploring death, religion, myth and allegory.
The artist was born on September 13, 1939 in Brooklyn, New York, to a Jewish father and a Roman Catholic mother and has a twin brother, Jerome Witkin, who is a well-known painter.
Witkin's parents were unable to transcend their religious differences and divorced while he was still young. Their mother raised Joel-Peter and his twin brother in a deeply religious atmosphere. He attended grammar school at Saint Cecelia's in Brooklyn and went on to Grover Cleveland High School.
Witkin bought his first camera in the mid-1950s and taught himself the fundamentals of camera use. Even his first photographs were unusual, depicting the many unsettling experiences of his childhood. His very first photograph portrayed a rabbi who claimed to have spoken to God. At the request of his brother, Witkin later took his camera to the Coney Island freak show. Jerome wanted the photographs for his own unique paintings.
Joel-Peter Witkin was drafted into the army in 1961. In order to have some control over his assignment, Witkin enlisted in the army for three years as a combat photographer. His assignments included recording on film the bodies of soldiers who had committed suicide or died in training accidents.
In 1967 Witkin decided to work as a freelance photographer and became City Walls Inc. official photographer. Following his army service, Witkin attended Cooper Union in New York and received his B.F.A. in 1974. During this same period, Columbia University awarded Witkin a fellowship in poetry. Witkin completed his graduate studies in photography and art history at the University of New Mexico, Albuquerque, receiving his M.A. in 1976 and his M.F.A. in 1981.
Witkin claims that his vision and sensibility were initiated by an episode he witnessed when he was just a small child, a car accident that occurred in front of his house in which a young girl was decapitated:
"It happened on a Sunday when my mother was escorting my twin brother and me down the steps of the tenement where we lived. We were going to church. While walking down the hallway to the entrance of the building, we heard an incredible crash mixed with screaming and cries for help. The accident involved three cars, all with families in them. Somehow, in the confusion, I was no longer holding my mother's hand. At the place where I stood at the curb, I could see something rolling from one of the overturned cars. It stopped at the curb where I stood. It was the head of a little girl. I bent down to touch the face, to speak to it - but before I could touch it someone carried me away."